Out in the community, musical instruments play a social and entertaining role. The single-stringed masenko is played by minstrels who sing of life around them and invent, calypso-like, topical verses on the spot. The krar is a lyre-like plucked instrument with 5 or 6 strings while the begenna is the portable harp.
Up in the hills can be found boys looking after cattle and sheep and playing on the washint, a simple reed flute played with one hand.
Ethiopian people know and love their folk songs. Singing is high pitched and shrill Sand frequently accompanied by excited ululation, especially at weddings and other joyful occasions.
No joyous occasion ever passes without the Ethiopians indulging in their unique form of dancing. There are many styles according to the part of the country, but they frequently focus on the shoulders which seductively gyrate and undulate in a frenzied display of almost competitive energy. As one dancer runs out of steam, so another enters the fray with renewed vigour
Information kindly donated by Gondarlink
Many reggae musicians declare their importance to having some connection to Ethiopian musical origins although the Ethiopian musicians will tell you their music has more in common with Jazz.
